
Isla Down to the Garage
Cast: Isla Brown
Isla drives into a Broadbeach tower to film around a wrestler's apartment. Jonah is in the car-park elevator; he looked up the girl with the mic. They fuck on the way down and she stops pretending it is a joke.
I was already standing in the car-park elevator of a Broadbeach high-rise when Isla Brown crossed the concrete toward me, her bag knocking against her hip in the late summer afternoon. She was twenty-one, a Gold Coast ring announcer who posted the hours around the matches, and she had booked a fighter’s home gym upstairs as if that were the only honest reason to come down here. I was thirty-four and I had looked up the girl with the mic after the hotel, and I had waited in this lift because I wanted the rest of it. She parked underground already raw, and when she saw me her mouth tightened and she walked in anyway, angry enough that the heat of the garage seemed to follow her through the doors.
“You looked me up,” she said, unhurried even in the anger, as if the next clause would arrive when it arrived. I let the doors run their course. They met with a soft sound that shut the concrete out. The lift was small and brightly lit and it smelled of warm metal. Isla stood close enough that I could see the pulse in her throat. She had a job waiting above us, and I had no business in this building except her, and she knew it.
“I did,” I said. I watched her decide whether to keep the tease she used as cover. Her eyes were dark and tired and interested despite herself. The secret had been a thrill when nobody had the whole of it. Me knowing stripped that. She swallowed, and then she reached past me and hit the button for the lobby as if she meant to send me out of her afternoon, and she did not take her hand back quickly.
I caught her wrist. She did not pull away. We were still at basement, the display showing a B that looked like a held breath. Isla’s camera bag slipped down her shoulder. She looked at my mouth and then at the closed doors and then at me again, and the anger in her face had somewhere to go that was not a joke.
“This is not funny,” she said. I told her I had not come here for a joke. She made a sound that might have been a laugh if it had finished. Then she went to her knees on the scuffed floor as if she had chosen the only way to stop pretending, and her hands were already at my belt.
Her fingers were sure. She got my cock out with a kind of furious care, and the air in the lift was cool on me until her mouth was not. Isla took me in without a preamble, wet and immediate, and I felt the heat of her throat work around the head of my cock while her hands stayed at my hips as if she needed the hold. I looked down at her. She had her eyes open. The fluorescent light made her look paler than she was, and there was nothing playful in the way she sucked me, only the decision to do it, and the wet sound of it filled the small space until I could hear my own breathing over the idle of the car.
I put my hand in her hair. She let me. She took more of me, messy now, spit on her lip when she pulled back to breathe, and she said my name like it was still a question she had not finished. I told her to look at me. She did, mouth shiny, and then she went down again and I felt her tongue along the underside of my cock and the soft catch of her throat when she pushed herself farther than comfort. She wanted this. The anger had not left. It had only found a use. I could feel her trembling at the knees, the camera bag still hanging off one arm, and I thought about the fighter waiting upstairs who had booked her for content, and about how she would have to lift her voice in one clean beat later as if none of this had happened.
She pulled off long enough to say, “You were not supposed to find me like this,” and then she put her mouth back on me before I could answer, and I understood that the sentence had been for her as much as for me. I held her head and fucked her mouth in short strokes that made her eyes water, and she took it, greedy and upset, her fingers digging into my thighs. Spit ran down her chin. She swallowed around me and made a noise that vibrated through my cock, and I had to ease her off before I finished too soon. When I drew her up she came up gasping, lips swollen, and she wiped her mouth with the back of her wrist as if that could put the ordinary back on.
I got her down on the floor of the lift because I could not wait for standing, and she went without a fight that meant no. Her skirt was already bunched. I dragged her underwear aside and felt how wet she was, slick on my fingers, and Isla made a noise that had no tease left in it. I pushed two fingers into her cunt and watched her head tip back against the wall panel, her throat working. She was tight and ready and she moved on my hand as if she had been thinking about this since she crossed the garage. I told her I was going to fuck her on this floor. She said, “Then do it,” in that unhurried way, the sentence slightly unfinished, waiting for the rest of the afternoon to arrive.
I got my cock into her in one slow push that made her breath punch out. The floor was hard under my knees. Isla’s legs came around me and I felt the heat of her, the clutch of her cunt, the way she tried to keep her eyes on me and failed when I started to move. I fucked her in deep strokes that shoved her a little up the scuffed vinyl, and she took every one of them with her mouth open. Her bag was somewhere near her shoulder. The display still showed basement. Nobody had called the lift yet. I could smell her, summer and skin and the faint chemical of the garage, and I put my mouth on her neck and felt her swallow against my teeth.
“Harder,” she said, and I gave her harder, the sound of my body meeting hers loud in the metal box, her cunt wet enough that I could hear it. She held onto my shirt. Her face had gone flushed and concentrated, the anger still there under the wanting, and I thought about how she had wanted the secret to stay a thrill and also wanted someone to already know. I knew. I was in her to the hilt on the floor of a car-park lift in Broadbeach, and she was not pretending it was a joke. I reached between us and found her clit with my thumb and she jerked as if she had been waiting for that exact pressure, a broken sound coming out of her that she tried to swallow and could not.
I pulled out of her long enough to get her on her feet. Her legs were unsteady. I turned her to face the panel of buttons, the numbers and the alarm and the bright B, and I put her hands on the metal so she would have to look at the floors even while there were no floors yet. I shoved her skirt up over her hips and I entered her from behind in one thrust that made her forehead drop toward the panel. She was soaking. I held her hip with one hand and the back of her neck with the other, and I fucked her standing with her face to the buttons so she had to watch the display the way a person watches a door they are afraid will open.
“I wanted the hotel doors to open,” Isla said, and she said it out loud, not into the metal, not swallowed. The words went into the lift with us. I kept moving in her, not easy, not kind, and I felt her cunt tighten around me as if the confession itself had a body. She had wanted to be seen then. She wanted the secret and she wanted the knowing, and now she had both and it was stripping her. I told her I knew. I told her she had wanted it then and she wanted it now. She shook her head and then she nodded, a mess of both, and I fucked her through it while the display sat on B like a dare.
Her breath fogged the panel. I could see her face in the dark glass around the buttons, mouth open, eyes wet. I reached around and rubbed her clit in time with my cock, and she pushed back onto me as if she could not help the rhythm. The lift shuddered once, a mechanical thought, and then it stayed. I did not go easy. I used her the way she was asking to be used without using the words, deep and relentless, my hips slamming hers, and she took it with her palms flat on the buttons so that a floor might light if she pressed too hard. She did not press. She held herself there and let me have her, and when I said her name she answered with a sound that was not a performance.
I felt her start to come before she admitted it. Her thighs shook and her cunt gripped me in those hard, helpless pulses, and Isla came with her face against the panel and a cry that had no clean beat in it at all. I kept fucking her through it, not gentle, and she went on shaking, wetter, her forehead on the metal. Then she was crying, actual tears, and she hated that she did. I could feel the hate in the way she tried to turn her face away and could not, because I still had her by the neck. The tears went down onto the buttons. She said, “I hate that,” in a voice that had gone small and unfinished, and she did not tell me to stop.
The lift was called. The display flicked. Lobby. Someone had pressed the button, and the car thought about moving. Isla felt it. She looked at the light. I was still inside her, still hard, still moving, and she could have told me to pull out and she did not. She let me keep going when the lift was called to lobby. That was the thing she gave me, the thing that was not a joke. I fucked her in those last seconds with the knowledge that the doors would open on us, and she pushed back onto my cock as if she needed the rest of it more than she needed the cover. I came in her with a groan I could not keep quiet, filling her, holding her against the panel while the lift began its slow rise. She was still crying, quietly now, and she reached back and held my wrist as if to keep me there even while the floors started to count.
I pulled out of her because we were moving. Come ran down her thigh. She made a wrecked sound and bent to find her underwear, her hands clumsy, and I tucked myself away and watched her try to become a person who had only come to film. The display climbed too fast. Lobby was close. Isla yanked her skirt down and missed the line of it. Her mouth was red. Her eyes were wet and furious at the wetness. She had come hard on my cock and then cried, and she hated the crying more than the rest, and I wanted her anyway, all of that, the distress she had asked for by staying.
The doors opened on the lobby with that polite chime that buildings use to pretend they are decent. Isla was still pulling her clothes up, skirt twisted, the shine of me on her inner thigh if anyone looked long enough. Two residents stood there, a man and a woman in summer clothes, the late afternoon light behind them from the glass front of the tower. They saw enough. They saw her face and my hands and the wreck of the small space, and the woman’s mouth opened. The man lifted a phone. It came up as if it were nothing, as if recording a few seconds of a girl in a lift were the same as recording a sunset, and Isla saw the lens. I saw her see it. The wanting of being seen and the terror of it arrived in her at the same time, and she froze with her fingers still on the hem of her skirt.
I walked out. I did it because the alternative was to stay and make it a scene she could not leave, and the fighter was still upstairs waiting for content she would not be able to explain if she lost the job. The residents parted around me without knowing they did. I did not look at the phone. I looked at Isla, and she looked at me as if I had taken the last of the private joke with me through those doors. Then I was in the lobby, air-conditioned and ordinary, and behind me the lift tried to close on her and the two strangers and the raised phone.
I did not leave the building at once. I stood in the cool of the lobby with the taste of her still in my mouth and watched the lift doors try again. Isla had not come out. She would have to go back down or go up, and the wrestler was up, the home gym, the hours she had been booked to shoot. After a minute the doors opened once more and the residents were gone, or they had stepped aside, and Isla was alone in the car with her bag and her ruined mouth. She pressed a floor. I saw the number light. She did not look at me through the gap. The doors shut on her as if they had never opened on anything.
She would film upstairs with her voice too loud and too clean. I knew that about her. A name or a call would land in one bright beat and then she would be ordinary again, and nobody in that apartment would be told what the lift had done to her. The cost was already paid in other rooms. The private joke was gone. Two strangers and I had the truth, she had cried, and a phone had been up. Isla had seen the phone. I had seen her see it. She did not know, and I did not know, whether those few seconds would land on her feed or on his, whether the clip would become another kind of content or a private file that followed her into the next elevator. I went out through the glass into the Broadbeach afternoon, summer heat hitting me in the chest, and I left her between floors with the job she would not explain and the question of who already saw.